Whenever I start my question with “Do you remember that museum we saw in …” my kids give me the look and reply “Which museum? You drag us to at least a couple museums every place we go to!”
But with the Kunsthistorisches Museum in Vienna it was different. I only had to say “Do you remember that museum in Vienna where we had lunch in this really nice round room, where Daddy waved to us from the hole in the ceiling up above?” and they knew exactly which place I was talking about.
My daughter replied with “Was it that place where they had a lot of Egyptian stuff? And all that gold?”
My son added “Was it the one where they had this big painting of a mountain that looked like a tower?”
If you are not going to visit the Harvard Art Museums for a while, or at all, because Cambridge, Massachusetts way off your itinerary route, and you like to read about art, read on.
Last week I posted close up photos of a few details from five paintings at Harvard Art Museums that I found interesting. Some of them would be hard to miss as they are quite prominent in the painting, some might take some looking for, since they are just a small part of the overall piece.
The blobs of paint on the easel in Nicolas Régnier’s “Self-Portrait with an Easel” are hard to miss because the easel is positioned right in the center of the paining and is quite prominent, though it would not be the first thing you’ll look at, I bet.
What captivated me in Nicolas Régnier’s “Self-Portrait with an Easel,” painted around 1620s was… well…. how pasty pale he is. 😉
You may have heard that Sunday, November 16, 2014 is the Opening Celebration at Harvard Art Museums, which is reopening after a long renovation that started with the closing of Harvard’s Fogg and Busch-Reisinger museums in June 2008, and the Sackler Museum in June 2013.
Now collections from all three museums are housed under one roof in the completely renovated and expanded site of the former Fogg Museum designed by Renzo Piano, renowned architect who also designed the post-modern The Centre Pompidou in Paris and the expansion of the Isabella Stewart Gardner Museum in Boston.
Even though the official opening is on Sunday, two days away, Harvard Art Museums had opened its doors to Harvard affiliates earlier today and of course I simply could not miss the chance to go see it. (I should point out that while I work at the university, I am NOT one the museum staff, and sadly, my job has nothing to do with writing about art or travel.)
I admit, if it weren’t for the M.C. Escher exhibit, I’d probably never think of going to the Currier Museum of Art, in Manchester, New Hampshire. And that would be too bad, because I’d miss out on a fun, inspiring, and educational afternoon.
[T]he Currier, considered to be one of the best small art museums in the US, is better known among curators and art historians in Paris and New York than it is in its own region. Both the Louvre and the Metropolitan have borrowed artwork from the compact gallery, which has as its motto, “One masterpiece is more to be desired than a roomful of run-of-the-mill paintings.”
It’s the vacation week, and since I have time off as well, I’ve decided to take my eight-year-old daughter to a few local museums, starting with the Museum of Fine Arts.
She’d seen it several months ago when my friend and I took her to see the “Think Pink” exhibit. She liked the “Pink Room,” and spent quite a bit of time looking at the pink dresses, shoes, suits, and doll clothes, but didn’t care too much for paintings and other collections.